The Realm: An Unfashionable Essay on the Conversion of England

by Fr. Aidan Nichols, OP

The Realm: An Unfashionable Essay on the Conversion of England by Fr. Aidan Nichols, OP

Contents

Read in Lent, 2024. It was originally published in 2008, not long before I came to live in England.

He discusses various literary figures as critics of the culture dominant in England today including J. R. R. Tolkien and T. S Eliot, but also someone I hadn’t heard of before, the poet and painter David Jones. I would now quite like to read his The Anathemata, as well as T. S. Eliot’s The Waste Land, and G. K. Chesterton’s The Everlasting Man.

Chapter 1: The Conversion of England

What is the cause?

The debate about England

a single individual, elected or chosen by some reasonable process, who, in a significant sense, personifies or bears the overall persona of the Union

Dialogue and mission

Realism or fantasy?

The need for a mission policy

A provisional conclusion

A full-blooded catholicity with the power to fascinate and draw individual people to itself and transform a culture in all its principal dimensions. That is what the ‘mission to convert’ and ’the conversion of England’ mean to me.

Chapter 2: Albion

Origins

notable for its ability to merge elements from the Celtic, Germanic, Graeco-Roman, and Christian Orient cultures to give birth to a new order in Europe: the early Middle Ages.

Law: from covenant to correctness

Parliament: from council of the wise to party contest

The Church: from Catholic to chimaera

Law, crown, Parliament and Church at the end of teh ‘ancien régime’

Nonetheless, through it all the ancien régime survived as a recognisable Christendom society, albeit one distorted by the Erastian mould. As the above paragraphs on the Church indicate, the end of the English ancien régime is dateable to the opening decades of the nineteenth century. (Paradoxically, Catholic Emancipation, itself driven by anxiety over Ireland, was key to the emergence of the new settlement.)

Society … is not a partnership for things subservient only to the gross animal existence of a temporary and perishable nature. It is a partnership in all science; a partnership in all art; a partnership in every virtue, and inall perfection. As the end of such a partnership cannot be obtained in many generations, it becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born.

What the French Revolution has done is to abolish the mellennial barriers between common life and the enormities of the historical. Past the hedge and gate of even the humblest garden march the bayonets of political ideology and historical conflict.

p. 67, even England faces this reality today, the increasing bureaucracy of the Nanny State

Chapter 3: The Needs of the Nation

An objective common good

From confessing a higher purpose for human society, even in a very residual manner, to regarding its members only as subjects of policing and material welfare, is a very serious matter.

Chapter 4: Critics of the Culture

Eliot, Coleridge, Arnold

Unless this reverence for past and future is cultivated in the home, it can never be more than a verbal convention in the community.

[A] growing weakness of our culture has been the increasing isolation of elites from each other, so that the political, the philosophical, the artistic, the scientific, are separated to the great loss of each of them.

Although the poem seemed to be an attack upon respectable Christian society, it was in reality a lament, and a cry of alarm, over the deliquescence of the civilization of the West: falling into a comfortable materialism, devoid of all authentic Christianity, and with only a sterile respectability left behind. Despite its “modernist” techniques, … the poem implies a prophetic denunciation of the secularism, rationalism, and materialism characteristic of the modern era. The Waste Land is thus the most notable instance of radically innovative, “modernist” art in the service of tradition.

Eliot, Maritain, Maurras

Religion saves poetry from the absurdity of believing itself destined to transfoorm ethics and life: saves it from overweening arrogance.

The experiment will fail, but we must be very patient in awaiting its collapse; meanwhile redeeming the time: so that the Fiath may be preserved alive through the dark ages before us, to renew and rebuild civilization, and save the world from suicide.

David Jones

To conserve, to develop, to bring together, to make significant for the present what the past holds, without dilution or any deleting, but rather by understanding and transubstantiating the material, this is the function of genuine myth, neither pedantic nor popularising, not indifferent to scholarship, not antiquarian, but saying always, “Of these thou hast given me I have lost none”.

Christopher Dawson

G. K. Chesterton

J. R. R. Tolkien

[I]n the “eucatastrophe” we see in a brief vision that the answer may be greater — it may be a for-off gleam or echo of evangelium in the real world.

[The Lord of the Rings rose to] heights of mass popularity at the very moment in the mid 1960s when the Church was in the throes of making its cultic worship more “relevant” by shearing off from it the ordered, hieratic dimension of sacred play. For many orphaned souls, asphyxiated by the banality of modern life, Tolkien was opening a window to transcendence.

Hilaire Belloc

Belloc has been called the wreck of a great historian.

Chapter 5: Integral Evangelisation

Introduction

The society in which we live no longer seems to resound to the rhythms of divine grace, it has lost the religious habits of the heart and can no longer speak the language of religious tradition.

The intellectual (prophetic) element

The mystical (priestly) element

houses of God, where a rich patrimony of sacral music, art and architecture can assist the performance of rites and devotions that are themselves condensed forms of the mystical. All of these sensuous signs enable Christian mysticism to travel across the boundary between the inner and the outer world.

The institional (kingly) element

Woe to that State which accepts the secution of the serpent in the garden, “Ye shall be as gods” and seeks to establish the “natural measures of good and evil”.

The divine prizing of humanity for which the Son died and the Spirit was poured out is the sign of God’s faithfulness to his original creative intent: human beings are made in his image and likeness.

Conclusion

Overall Conclusion

Because at the Last Supper, on the cross, and in the Mass Jesus makes history of myth, he renews all this amassed tradition so that the cumulative maypole of human culture is no longer the barren “mortised stake” of merely remembered or imagined form. Spiritually and therefore ontologically, it blooms. If this is always true within the Mass and especially at the moment of sacramental transformation, which is the poem’s fictional context, it is also potentially true for the reader, for groups of people, and for our civilization.